2011 – 2017
Marshall Marcus has been CEO of the European Union Youth Orchestra since the spring of 2013. He was Founder and Chairman, and is now President, of Sistema Europe, Founder of Sistema Africa, a Director and Trustee of Sistema England, a member of Sistema Global’s Advisory Board, and the British Council’s Arts and Creative Economy Advisory group. Before taking up his position with the EUYO, Marshall advised and taught at Fundación Musical Simón Bolívar in Venezuela (where he founded the Orquesta Barocca Simón Bolívar at the request of Maestro José Antonio Abreu), lead Southbank Centre’s International Sistema Research Programme in London, worked with the British Council to develop new international youth orchestra networks, and advised and tutored the Eastern Partnership ‘I, Culture’ Orchestra composed of young musicians from Armenia, Azerbaijan, Belarus, Georgia, Moldova, Poland and the Ukraine. Other projects in the last six years include teaching at the Neojiba project in Bahia, Brazil, and creating and directing ‘SERA’, an online global Sistema Evaluation and Research Archive. In recent years he has taught and/or lectured in Abu Dhabi, Armenia, Austria, Belgium, Brazil, Chile, France, Germany, Italy, Korea, Luxembourg, the Netherlands, Poland, Sweden, Switzerland, Turkey, Venezuela, UK and the USA.

1994 – 2011
During the previous two decades Marshall was Head of Music at Southbank Centre (including London’s Royal Festival Hall), where he programmed and oversaw one of the largest arts centre music programmes in the world, and Chairman and then Chief Executive of the Orchestra of the Age of Enlightenment, an orchestra which he founded with colleagues in 1985.

Before these appointments Marshall enjoyed a 25 year career as an orchestral, solo and chamber violinist, recording and performing in more than 60 countries. He worked regularly with major artists including Sir Simon Rattle, Sir Roger Norrington, Pierre Boulez, Daniel Barenboim, Claudio Abbado, Mariss Jansons, Mitsuko Uchida, Maurizio Pollini, Lang Lang and Cecilia Bartoli, and in an eclectic career has collaborated as a performer with musicians as varied as the Moscow Soloists, Baaba Maal and The Michael Nyman Band. Beginning in the 1970s, he was a member of the BBC Symphony Orchestra, and then Concert-Master of the Orquesta Filarmonica de Caracas, Professor with the Simon Bolivar Youth Orchestra of Venezuela, a Principal player with Amsterdam Baroque, Leader of the Orchestra of St. John’s Smith Square, and a playing member and Executive Director of Endymion Ensemble, as well as appearing as leader with many orchestras including the Academy of Ancient Music, the London Classical Players and the Orchestra of the Age of Enlightenment. Numerous recordings include the Rossini String Sonatas, Globokar’s string quartet Discours VI, the complete Beethoven symphonies with Sir Roger Norrington, complete Bach Cantatas with Ton Koopman, and complete Haydn Symphonies with Christopher Hogwood.

Education: studies and teaching 
Marshall worked for many years in music education, particularly between the late 1970s and late 1990s, designing projects at primary, secondary and university level, and teaching at institutions including Bristol University, The Royal Academy of Music, The Royal College of Music and El Sistema. In 2014 he was one of the founders of the European Music Campus at Grafenegg, and the driving force behind Towards 2020, a project to help skill young musicians in the EU for 21st century challenges, His current education work focuses on the way in which musical and cultural activity can help the development of young people from all of the various diverse areas that make up contemporary society, seeing culture as one of our best ‘engines’ for global exchange, learning and development.

Marshall is a graduate of The Queen’s College Oxford in Philosophy and Experimental Psychology – where he was President of the Oxford Musical Club and Union, a Hastings Scholar and a Music Exhibitioner – and Trinity College Cambridge in the teaching of English. He is an Associate of the Royal College of Music. His violin teachers included Michael Vyner, Frederick Grinke, and Eta Cohen, with the latter of whom he studied for 10 years.

Other Activities
Board, judging panel and advisory appointments have included The Royal Philharmonic Society, The Association of British Orchestras, The British Association of Concert Halls, Kings Place Music Foundation, Sphinx UK, BBC Musician of the Year, and The Leverhulme Trust. Marshall is currently Vice Patron of the Kampala Music School Appeal, an Honorary Fellow of the Worshipful Company of Musicians, an advisor for the London Music Masters Programme and the UK’s National Orchestra For All (NOFA), and was a founding member of the Art.Change.Europe Alliance. He has appeared regularly on UK BBC radio and TV during the last two decades, and has written for a number of publications including, principally, the UK Guardian and the website Chameleonworld. His blog has focused mainly on El Sistema, aspects of the current classical music world and selected essays from Chameleonworld, and has been accessed by people in well over 120 countries.


2 thoughts on “Biog

  1. Gordon Dipple

    Hi Marshall, so amazing to see my yurt design used for such an excellent project. Love to hear your conclusions on its audio proprieties. Keep up the good work. Gordon

  2. Marshall Marcus Post author

    Ha. Glad you are pleased. I didn’t know it was your design. It sounds good inside the yurt. Just come back from a late night session with it. Music and intimacy.

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